Vaš audio kutak

Ukoliko je netko zainteresiran Emiti 20 su na njuškalu, mislim da je cijena više nego korektna :)

 Jao Dabre, kupljeni su u osmom mjesecu prošle godine, sad ih prodajem jer sam danas uzeo bolje.

 Na čemu su ti stajali ti Emit i na čemu ćeš držati ove nove?

Vidim da prodajes i stalke.

Daj link,nemogu nac

naša

Malo o povijesti, ako koga zanima

Hi guys,

Maybe I can answer some of the questions regarding Onkyo. I started working for Onkyo in 1975 right out of college with a degree in electrical engineering. Originally when I started there, their product line up was the TX220, TX330, TX440, TX560, TX670, and TS500 and a bunch of speakers that were AR wanna be's. To be blunt, the TX220, TX330, and the TX440 used power modules with limited slew rate and frequency response and were dull and sounded pretty awful. I don't know if you know the history of Onkyo but in Japan, they were known as Osaka Onkyo and started as a speaker manufacturer. They originally came to USA as a joint venture between themselves and Mitsubishi and failed miserably at selling Onkyo speakers. Mitsubishi and Onkyo parted ways after about 6 months after I was hired and Onkyo started concentrating on achieving better sounding receivers and tuners. The first attempt was the Onkyo T-4055 tuner which had an awesome review in Absolute Sound. After the review came out I remember that we never could keep the tuners in stock. When we were ready to start conceiving the new receiver line, we came up with a different look than the last product line as it became known as the TX2500 and TX4500 (We didn't have enough budget to develop a complete line then). It's hard to imagine but this was Onkyo's last ditch effort to survive in the audio world and they put all their marbles into these 2 receivers. Onkyo was definitely ahead of its time because they realized the importance of a good phono preamplifier even when their older separates were made (A-7022 and A-7055). If you compare the transient response of the phono preamps in those units to their peers, it was immediately obvious. In our earlier test, we would inject a pulse followed by a since wave and check the dilation of the pulse into the sine wave and the phono preamps were outstanding! The TX2500 and TX4500 incorporated these design parameters so their phono section sounded remarkably good (This is preHolman's white paper of phono preamp TIM). We also upgraded the analog tuners. The TX2500 had the servo lock tuning and the TX4500 had the quartz lock tuning. The quartz lock tuning worked remarkably well and the tuning accuracy was only limited to the quartz time base in each unit. Keep in mind that this is predigital tuner days for receivers. Then we concentrated on the power amplifiers. The power amplifier section of the receivers rivaled Harman Kardon's receivers by achieving low tilt figures for the low frequency and high slew rate for the upper frequency response without sacrificing hum and noise like HK did. If there's any negative comment regarding their product line was that the tone control/line preamp amp lacked the same type of clarity and transient response. The success of TX2500 and TX4500 catapulted Onkyo into the audio world and then the development of the TX1500 and TX8500 began to create a full line of receivers. A few years later, the Mark II series of the original line was introduced but it was a variation on a theme of the original product line. Another interesting product line that you might be able see on ebay is their original Integra line. If you ever have a chance, check out the P303 preamp and M505 power amp. They both have unique circuitry and cosmetics that might interest the collectors. The P303 is literally a straight line preamp with a MC stage with gain. The front panel is sparse but the sonic characteristic is phenom. The M505 (105 wpc) is a bit underpowered but the transient response is awesome. As years progressed, Onkyo because less interested in the sonics and more in profits and I left the company (I think in 1978) to pursue product development in separates with Nikko to revamp the Beta, Gamma, and Alpha separates. As of now, I still have a TS-500 Quad Receiver, T-4055 tuner, TX4500 MkII, and a broken TX4500. I'm looking for a new glass front panel for the TX4500 because the shipper that sent the TX4500 packed it so poorly that it damaged the glass. I still have sentimental attachments to alot of their product because it brings back great memories of the earlier stages of my career in the audio industry. Someday when I actually can find time, I'd like to restore the TX4500 and redesign the tone control circuitry to match the rest of the receiver.

Wtih warmest regards,

Tom Ishimoto
Northridge Electronics

Nije mi frka a i već me zvalo par ljudi, prodat će se ima vremena.

Ako se i ne prodaju složit će se neki sustav za viksu ili nešto, ne brinem se :)

falcon acoustics ram studio 20 sam uzeo, dobio info da su poslani i da trebaju stići u roku od 2-3 dana, sada čekam ali mislim da će uz moj amp to biti end game za mene :)

Roskan K3 je hand crafted in London.

Falcon radi sve svoje, od skretnica do drivera itd, jedino im talijani rade finishe za kabinete, kabinet je od 25mm MDf zato i jesu 13kg komad., isto je hand crafted in UK.

Tražio sam nešto s čim bi dugo bio miran, no 18000kn je bilo previše.

13500 koliko sam ih platio mi je sasvim ok cifra :)

 https://www.zvucne-novosti.hr/index.php/ram-studio/ram-studio-20/

Sada su produžili akciju, imaju na stanju studio 10 i studio 30 još na sniženju 25%, studio 10 je 9.750,00 KN  sada a odličan mali zvučnik, ide jako duboko za dimenzije, dublje od većine floorstadnera u tom cijenovnom rangu:

 Dogovoreno :)

Zoki a koji finiš si uzeo?

Ovaj sa linka ili ful crne?

 Mislim da ne, lik je rekao da ima showroom preko 30 kvadrata i da bez ikakvog problema ispune prostor, pa pogledaj spec koji imaju, misli mda nema potrebe do 30 kvadrata išta mjenjati:

Drive Units……………….2-way vented: 170mm (6”) Polypropylene Cone bass unit Custom 25mm ( 1”) soft dome tweeter

Freq. response…………..30Hz-35kHz

Impedance………………..8 ohms

Sensitivity…………………88dB/2.83V/m

Power handling………….15-150W

Connector…………………4mm Custom-Designed nickel-plated binding posts

Dimensions (HxWxD…430 x 231 x 266mm (+12mm for grille and binding posts)

Weight………………………13kg each, 28 kgs per pair shipping weight.

I poprilično je velik kabinet.

 nema šanse da može ispuniti 30 m kvadratnih, ja imam doma trosistemce b&w 683 s2 na 12 kvadrata pa opet nemam viška basa, a nekad upalim i sub za gušte

 Vrlo su razliciti ukusi pojedinaca..12 kvadrata floorstander i subwoofer...iso Miki

Ne bi se baš složio, dobar zvučnik je dobar zvučnik, bila to "audiofilska" glazba ili kakva god druga

 Prestao sam citat kad sam vidio koliko kostaj taj b&w,4800 kn za folorstander..znas di je taj zvucnik u odnosu na pomenute Falcone...

 Da, i meni je zanimljivo, pogeldaj spec manjih: